- 1991 - 1994 : first freestyles, demos and leftover songs recorded before Ready To Die.
- This homemade compilation is the perfect companion to our "rectified" Ready To Die Promo Version.
- Sources : interviews
|
Photoshoot c. late 1991,
for The Source Magazine |
### - Of course, there are no tracklist for a leftover compilation. We followed the beginning of an old bootleg album and then added the other leftover tracks from Ready 2 Die. We didn't include the same tracks versions than in Ready 2 Die Promo. - ###
1991-1994 : The First Recordings
- Microphone Murder
- Guaranteed Raw
- Love No Hoe
- Another Rough One (Original)
- Mumbling & Whispering feat. Mister Cee
- 16 Bars
- Can I Get With Ya ? (Original) *
- Dead Wrong (Original)
- For The Macs & Dons
- Whatchu Want Freestyle
- Niggaz (Original)
- House of Pain feat. 2Pac & Stretch
- Whatchu Want (Live in the Playground)
- Come On (Demo) feat. Sadat X
- Blazing Chronic - remake ?
- Teen Summit Freestyle
- Party & Bullshit (Demo Version)
- Flip Dat Shit feat. Naughty By Nature, Troo-Kula, Jesse West & Onyx
- Basement Freestyle
- Let Me Get Down (First Version) feat. Craig Mack
- Biggie Got The Hype Shit feat. Jesse West
- Stick-Up (Extended Version) feat. Jesse West, Capital LS, Troo-Kula & Ol' Dirty Bastard - incomplete cut version
- Stretch & Bobbito Show '91
* Bold : these songs have a link with 2Pac. Could you guess what ?
 |
Photoshop thing or authentic picture ?
really looks like the Source Mag photoset
but with differences... |
|
Unused :
. Live at the Arena Birthday Party (May 21 of 1993)
. Freestyle at Royalton Hotel with 2Pac (July 24~ of 1993) - cf. Mr Middle Finger.
. Live at Amazon Club/Palladium/Tunnel - unleaked
. Live Whatchu Want / Party & Bullshit w/ Puffy & 2Pac (Aug. 1993)
. Live Party & Bullshit at Bowie State University w/ Thug Life (Sept. 1993)
. Live at Madison Square Garden feat. Big Daddy Kane, Shyheim & 2Pac (1993) - cf. Honor Among Thugz
. Runnin' From Tha Police (Original 1) feat. Dramacydal, Stretch, 2Pac & Lil' Vicious (1993) - Out On Bail / R U Still Down '94
. Runnin' From Tha Police (Original) feat. Dramacydal, Stretch, 2Pac & Brown Man (1994) - Exodus
. Let's Get It On (Heavy D Original) feat. Heavy D, 2Pac, Gran Puba & Myko Miers (1994)
. Let's Get It On (Stretch Armstrong Remix) feat. Heavy D, 2Pac & Gran Puba (1994)
. Let's Get It On (Bootleg Remix) feat. Heavy D, 2Pac & Gran Puba (1994)
. Let's Get It On (Streetsweepers Remix) feat. Az & 2Pac (1994-1998?)
. Let's Get It On (D&D Remix) feat. Heavy D, 2Pac & Gran Puba (1994) - Exodus
. Let's Get It On (Unofficial Biggie Beats Remix) feat. Heavy D, 2Pac & Gran Puba (1994) - Fuck The World (Remix Box)
Unleaked (or non existent) :
. Live In Action (1991 Demo Tape)
. Hot Butter Soul (Warning Uptown Original 1993)
. Feel The Funk (Let Me Get Down session 1994)
 |
| with the original Junior Mafia |
Why "Party & Bullshit" is a powerful street anthem with a high political meaning ?
The song interpolates a well known line by Last Poets' Abiodun Oyewole in "When The Revolution Comes" (cf. The Last Poets) where he deplores than the revolution couldn't come because the young black people are only interested in "party and bullshit and party and bullshit". The poet even sued the estate for his lyrics having been used to make cash. A kind of paradox for a revolutionary to ask respect for his property rights... In itself, it somehow means he didn't understand Biggie's answer to his song.
Because Biggie's song is a serious answer to Last Poets' concern. A political answer. Biggie is not a uneducated child. His mother was a teacher, his father was a politician (probably thrown off of Jamaica because of that)... Biggie had very good results at school, especially in English. He attended the high school. He stopped only because of his troubles with justice...
So, Biggie, like every rappers of the golden age, knew The Last Poets first album. Spoken word artists like them, Gylan Kain and the Original Last Poets (cf. Right On !) and Gil Scott Heron (cf. "The Revolution will not be televised", cf. Small Talk at 125th and Lenox) were considered as the pioneers of Rap music (with also political speeches from King and X, some spoken interludes in soul music like the interlude talks of James Brown in his live performances, "Ike's Rap" of Isaac Hayes...). So Biggie understood perfectly the paradox given by Abiodun Oyewole : how to change the social situation, to improve the life and condition of the black community if the youths are always just interested in "party and bullshit", meaning to buy things, go with girls, smoke and drink...?
And, the answer given by Biggie is mostly the same than 2Pac's one given to his parents' Black Panther involvement... After years of fight, of repression, people spending their life in prison or forced to emigrate, do the young black men have to sacrifice again their life ? It didn't work. The following step they both claim is to earn success by any means necessary, to impose themselves by the force in a white society who didn't want them, to make money as usual like the white American people and in order to make money and to have their part, be ready to sell drug, to steal and rob their part - if necessary or metaphorically - of the American way of life.
 |
| Biggie & DJ 50 Grand |
"I ain't 2Pac, I don't Get Around..." ; "not a paper gangster of no sort, don't smoke Newports"
In this line of "Can I Get Witcha ?", Biggie refers to the famous song of 2Pac (from Strictly 4 My N.I.G.G.A.Z., released in March '93), probably diffused everywhere in June '93 when the single was released. Of course, it is not a diss, the two rappers come to know each other in late July and they were inseparable until late '93. At the same time, one could understand the line as something like : me, I don't leave my neighborhood, the original place where I'm from... Whereas 2Pac grew up in Baltimore, moved to Marin City, and was then recording in L.A. and New York... Biggie kind of stayed to Brooklyn until his end.
In "Mumbling & Whispering", Biggie also said "I'm not a paper gangster of no sort, don't smoke Newports". In 1996, in "Never Had a Friend Like Me" for Me Against The World pt. 2, 2Pac will say "I smoke my Newport to the butt like it's the last muthafuckin' left"... Waaaah ! A diss line by anticipation, Biggie is too strong ! :)
Ready to die, everyday struggle, house of pain...
It is known that 2Pac gave Biggie the advice he should write for the mothers, for the ladies, for the youth, who will buy his albums, not only for the gangsters from the corner who don't buy anything except to bootleggers... In this perspective, he probably also told him to write about serious things in life, not only about cash, drug, ghetto things...
2Pac later accused Biggie "to have stolen his style"... Of course,
it is untrue. But I don't think it can be understood as Biggie having
stolen rhymes or any way of rapping. I think he was thinking about the
topics Biggie started to record for his album, following the model he
gave him...
So, Biggie didn't steal, 2Pac gave. But considering having been betrayed
by this robbery, the gift is now a part of the robbery...
 |
| 2Pac with Thug Life & Biggie, 93 (?) |
Biggie was Thug Life...
When Biggie and 2Pac started to record songs together, like "Runnin'" in late September '93 and one month later "House of Pain", 2Pac was recording his own solo album with songs like "My Only Fear of Death", "Lord Knows", "Dear Mama", "Thugz Get Lonely Too", "Pain", "Hard On a Nigga", "Death Around The Corner"... (cf. Out On Bail / R U Still Down '94) and wanted to make Biggie part of his other group project with Thug Life shortly titled "Honor Among Thugz", the concept was also oriented on death and pain topics with songs like "How Long Will They Mourn Me", "Judgement Day", "Cradle 2 The Grave" and of course "Pour Out A Lil' Liquor", "God Bless The Dead", "Where Do We Go From Here ?"...
Unfortunately, it is said 2Pac couldn't give enough money to Biggie (and Puffy) to have him in his Thug Life group...
What did you say ? Capital LS of One Nation ?...
Biggie attended George Washington High School in Brooklyn. Earlier than him, Jay-Z and DMX were also in that school (born in 69 and 70). But probably the same years than him, Busta Rhymes (also born in 1972) was also attending that school. Busta's parents were immigrants from Jamaica, exactly like him... So Biggie eventually became friend with him at that early time, and very early in 1992, Biggie was featured in Heavy D's album (also Jamaican) alongside Jesse West and Busta. He will record with Busta all his career : "Flava In Ya Ear (Remix)", "The Points", "Three B's", "The Ugliest" and "Victory"... But in late 1995-1996, Busta didn't want to be part of the war between two of his friends and dropped the song "The Ugliest" where Biggie disses 2Pac...
Capital LS is known to have been the roommate of Busta Rhymes in these early years at school... He could be from Jamaican ascendance too. His style is also very similar to Busta's. He and his group the Rumpletilskinz appear in Leader of the New School's albums in 1991 and 1993. In 1992, they were recording their first album (released in 1993)... Biggie very probably also knew him from the early school years and that's logically he invited him to record "Stickup (Long Version)" with him and Jesse (and ODB). Biggie said in an interview that the song was made for his album but unfortunately it was dropped (or fortunately, the song was not that good in comparison of the rest of the album).
This is the same Capital LS that 2Pac will receive for One Nation sessions, probably in replacement of Busta who didn't want to be part of the feud... 2Pac having just released "Hit 'Em Up"... So Busta sent his friend.
TIMELINE
 |
| picture of the original first Biggie tape ? |
A bit of History : the legendary "O.G.B. 50 Grand Demo Tape", early 1991.
DJ 50 Grand met Biggie through a mutual friend from the same neighborhood in Bed-Stuy, who was selling dope with the young adolescent. But Biggie already had a reputation in Bed-Stuy of being very talented with rhymes at the age of 16... In 1990, BIG took seven months of jail...
At the time Biggie was in jail, 2Pac was touring with the Digital
Underground, having recorded a demo tape with Strictly Dope, giving his first official verse on "Same Song", what got him a
deal with Interscope for a solo album he started to record in the end of 1990...
When Biggie went out of jail, 50 Grand convinced him to record rap songs. They went to Grand's home, and after a few hours, it was done. They recorded together a demo tape of 4 tracks. It has been said there would still be an unleaked song from this session eventually titled "Live In Action" (even if that title appears in "Guaranteed Raw" lyrics).
 |
| Is it the Stretch & Bobbito freestyle ? |
Stretch & Bobbito Show '91.
This Demo was given here and there, for being played in local radios. That's probably because of that, that he was invited to the Stretch & Bobbito Show in 1991, maybe in late summer (he's rapping over "Hand on the Pump" Cypress Hill single being freshly released in August).
At that time, 2Pac was finishing his first solo album (2Pacalypse Now, cf. Tales of a 90's N.I.G.G.A. EP).
Mister Cee's influence.
(cf. Mister Cee's interview for AFH in 2016).
DJ 50 Grand would have then given the tape to Mister Cee, who was then very famous for being the DJ of Big Daddy Kane (both were also from Bed-Stuy). And after "The Taste of Chocolate" tour, Mister Cee came to meet Biggie and would have asked him to re-record together the Demo... Maybe another songs like "Mumbling &
Whispering" with the same lyrics than the Stretch & Bobbito '91 Show, come from this new session (what could mean that the song could also be in the original OGB 50 Grand Demo...). Mister Cee then had the opportunity to give the new recorded demo to
The Source Magazine, for the "Unsigned Hype" section. In the perspective of the article, Biggie and 50 Grand made that famous photoshoot where Biggie wears Raiders clothes.
During that time in November 12, 1991, 2Pac released 2Pacalypse Now, and was already working at a follow-up : 2Pacalyspe II : Now & Forever.
 |
| picture used in The Source article. |
Biggie as the Unsigned Hype, March 92
A few days after that article, Mister Cee connected with Jesse West and they recorded the track "Biggie Got The Hype Shit" with Biggie. According to Mister Cee, Puffy Combs came to The Source around that time and asked Matty C for the best unsigned hype they heard and the guy pointed at Biggie... Puffy met Biggie and purposed him to record quickly and have a first verse on an official record in 1992. And so Puffy signed Biggie to Uptown records.
At that time, 2Pac was recording his second solo album then re-titled Troublesome 21.
 |
Promo tape from 1994, but with Uptown,
the content should be from first half of 93. |
Puffy and Uptown Records, 1992-1993.
With Puffy, Biggie started to record songs in professional studios. Maybe some early tracks for the album. But more surely Puffy firstly used Biggie as a guest star for Bad Boy Remix for Uptown artists. It is said he started on the Bad Boy remix by Daddy-O of "Real Love" for Mary J Blige's single in July 1992. He soon recorded "A Bunch of Niggas" for Heavy D's new album, track produced by his friend Jesse West, out in late 92.
During that time, 2Pac was struggling with his new album rejected by
Interscope, due to the gangsta rap controversy following the L.A. riots,
and following 2Pac's first problems with the justice : a guy has shot a
Texas trooper and was listening to 2Pac's "Soulja Story" when he
committed the crime... (cf. Ghetto Gospel)
In
December of 92, Jesse West invited Biggie to record the track "Stick
Up" with him and Troo Kula. Not a long time after that, they received
Ol' Dirty Bastard and Capital LS to record another version of the
song. Is it possible than the new connection with ODB led Biggie to
record "The What" with Method Man ? or is it the reverse ?
In late 1992, 2Pac had finished to remake his album what was about to be released as Strictly 4 My N.I.G.G.A.Z..
Who's The Man ? Soundtrack, April 1993.
Biggie
became the signature of "Bad Boy Remix" on side of Puffy, with notably
the remix of Supercat's "Dolly My Baby" with also Jesse West as
co-producer and rapper and vocals by Mary J Blige. Another remix for Mary J Blige's What's The 411 ? Remix album. So Biggie became a
featuring beast. The guy you invite in your album or
for a B-Side. So he will kill you on your track, erase you in one
verse, but you're gonna get maximum exposure for your product...
In early '93, Uptown has the project of a rap soundtrack for the movie Who's The Man ? Puffy wanted to push his new protégé. So Biggie recorded two tracks for the compilation (released the 20th of April 93).
"Party & Bullshit", opener of the album, is a solo Easy Mo Bee produced track (also known for his work with Big Daddy Kane, he met success the past year with his group Rappin' Is Fundamental and with Miles Davis for Doo-Bop). The song instantly became a street success and was released as a single in June 29 of 1993.
The posse cut "Flip That Shit" with Onyx, Jesse West and Naughty by Nature, produced by Jesse West of 3rd Eye (who was also featured with Group Home in another song of the compilation). The song unfortunately was finally leftover for an unknown reason. It is important to notice that Biggie was featuring with Treach around the time 2Pac was freestyling with Treach in a TV show, giving his verse from "5 Deadly Venomz" taken from his about to be released second album.
During that same time, Biggie was recording other songs for his solo album : "Dead Wrong", also produced by Easy Mo Bee. He then recorded songs like "Can I Get Witchu", "Niggaz" (songs he will rap freestyle at Royalton Hotel and a few days later during the Snoop Dogg and Death Row's Chronic concert where we can also see 2Pac, Dogg Pound, Nate Dogg, Warren G, Puffy and Method Man !), "Whatchu Want" he will rap in radio and in live in August with Puffy and 2Pac backing him.
Considering the Uptown tape : the tracks "Warning" - at least the instrumental -, "The What", "Gimme
The Loot", "Dreams" were also
recorded.
But Puffy was fired from Uptown Records in July 1993... and had to buy back the first recordings of his protégé. This is the exact time Biggie and 2Pac met for the first time...
 |
| at Royalton Hotel, c. July 24 of 1993 |
2Pac & Biggie smoking weed and touring together, second half of 1993
July 21 of 1993, 2Pac was in New York for the Poetic Justice premiere. A friend of Biggie had 2Pac's phone number and he purposed him to give a call. 2Pac answered and went to Biggie's place (what could be the Royalton Hotel, cf. Mr. Middle Finger, where Biggie dropped a verse of "Niggas" in front of the camera whereas 2Pac improvises). Then, they spoke a lot, smoked
a lot, and went together to The Palladium (July 23) where they got on stage together (we only have pictures of their performance). A few days later, they were again together on scene with Snoop, Dogg Pound, Nate at a
Death Row Chronic tour concert. Biggie gave the same "Niggas" verse that night.
Circa early August, 2Pac was backing Biggie in his concert ("Whatchu Want" / "Party & Bullshit"). Then 2Pac invited Biggie to rap "Party & Bullshit" with Thug Life and Live Squad at Bowie State University (Maryland). Then Biggie invited 2Pac to go on scene with him the 22nd of October for Big Daddy Kane concert
at Madison Square Garden where 2Pac gave a verse of "Nothing 2 Lose". Biggie probably introduced his new friend to his key producer Easy Mo Bee. So 2Pac recorded "Temptations" with him a few days later. Then, for the second studio session with him, probably right before a concert in Atlanta the 30th of October, 2Pac invited Biggie to give a verse in "Runnin' From The Police" for his new solo album project Street Fame (soon re-titled Out On Bail after the concert when 2Pac was arrested for having shot at two off duty cops...). Biggie was among the planned guests for Thug Life Volume 1 early project (cf. Honor Among Thugz). Then Biggie invited 2Pac
in late November 93 to give a verse in "House of Pain" for his album (produced by his friend Jesse West)... Notorious B.I.G. was supposed to be a Thug Life member, but it is said 2Pac couldn't guarantee enough money (regarding Bad Boy contract) to have him in the group.
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| at the Palladium, July 23 |
In December 16, 2Pac was arraigned for sexual assault at Center Court, Manhattan. That justice case notably implicated Puffy's friend Haitian Jack... who clearly raped Ayanna Jackson whilst 2Pac was sleeping in a sofa nearby... Probably 2Pac never claimed explicitly that Haitian Jack made it... 2Pac will keep on hanging with Jack (we have pictures of them together with Jimmy Henchman in mid March 94, also a Haitian descendant). But him and Biggie who where spending a lot of time chilling and singing together on stage and on studio, will clearly see each other much less often... Like if Puffy tried to take Biggie out of every controversy and justice troubles (he already did that in 1992 when Biggie got his first child, needed money and thought to sell drugs again).
Biggie Smalls aka The Notorious B.I.G. also had to change his name at that time,
mainly because another guy, a white boy, had the same nickname and had already released some singles with that name. The
ironic thing is that guy was produced by... Johnny J ! It was even
said that 2Pac could have influenced Biggie on the choice of his new nickname...
 |
| with Craig Mack and Jesse West |
Let Me Get Down sessions with Craig Mack, early 1994 (?).
So, in the first months of 1994, Biggie kept on recording new songs for his album, with more serious topics, following more or less the advice of his friend. "Everyday Struggle", "Ready To Die" could be from late 93 - early 94, as well as the original version of "Juicy" produced by Pete Rock (same sample but differently made).
At that time, Bad Boy Records was also preparing the first album of Craig Mack, also friend with Busta Rhymes. So Puffy organized a session between his two main protégés. Over another Easy Mo Bee beat, they recorded "Let Me Get Down", a smoking and being high anthem. It is said that during the same session, they also recorded the freestyles "Blazing Chronic" and eventually an unleaked "Feel The Funk". The first one was leaked in a strange way with the Lil'Kim "Drugs" beat. Not impossible Biggie still had it and re-used it later for his friend. There was as well a strange Snoop Dogg chorus : "blazing chronic through the galaxy, hydro, doja, chocolate thai weed..." (re-used by Dr. Dre in "Light Speed" in his 2001 album where it is given to Ms Roq).
.jpeg) |
| Murder Was The Case release party, October '94 |
It is not totally impossible that Snoop, the symbol of smoking chronic, came to the session and gave a hook. At that time, Death Row and Bad Boy Records were totally friendly. It was the time Snoop Dogg was having a huge success with his solo album, with "Gin & Juice" (single out in January). Whilst 2Pac was kind of angry against Snoop, saying "fuck that Gin & Juice" in "Hennessey" recorded in March (for having not recorded "Animosity" with him for Thug Life Original ? for having stolen the "Lie 2 Kick It" beat for "Gz & Hustlaz" ? for having been among the people who leaked his Thug Life Demo ?... cf. Thug Life Original).
 |
| Murder Was The Case release party... Oct. 94 |
Biggie and Puffy will finally let the smoking anthem to Craig Mack (probably with the troubles Biggie had with selling drugs), which will appear in the promo of his album, but not in the retail version. Could Biggie justice troubles still be the reason ? Let's remember that 2Pac had been condemned to 15 days of jail for having beaten Allen Hugues, the strong clue being 2Pac's own words in a MTV Raps show one year earlier... and that his released songs lyrics were carefully inspected during the audiences about his cases about having shot at cops and about the rape... Probably following the case, Puffy didn't want to have the same troubles...
 |
| Biggie with the Junior M.A.F.I.A. |
From the Demo Tape to the Puffy's version of Ready To Die
It is said that Biggie at the time always had the demo tape of his album with him, without
any mix, collecting the songs he recorded here and there for the album. The tape is said to still have "House of Pain" with 2Pac and original versions of his songs. Then Puffy put his hands on that demo. He certainly removed "House of Pain" without any comments, and deeply cleaned the rest : he notably gave a different beat to "Juicy" with the same sample than Pete Rock, what disappointed him...
Heavy D and Eddie F will again reunite both rappers in "Let's Get It On"
in spring of '94... But in fact, like Grand Puba of Brand Nubian told, they all
recorded their verse in April, except Biggie who dropped his months later
circa June...
Funny to notice that whereas 2Pac recorded with Grand Puba, circa spring or summer of 94 Biggie recorded "Come On" featuring Sadat X, the second famous member of the Brand Nubian. Only the instrumental by Easy Mo Bee is included in the Advanced Press Copy of the Ready To Die album, so maybe it was not recorded yet at that time (circa June ?).
In July 09, Biggie and 2Pac were together on stage at the New Regal Theater in Chicago, alongside Digital Underground, Junior Mafia, Crucial Conflict, Common, Psychodrama, Twista, Da Brat and... a 17 years old local named Kanye West !
 |
| at Puffy's birthday party, Nov. 4 |
In the final months before the release of his album, Biggie will more likely follow
Puffy considerations for having clean material for the large audience,
achieving the metamorphosis of his album by recording the "Big Poppa"
and "Unbelievable", notably replacing the "Whatchu Want" street thing. 2Pac will again appear hugging
Biggie and sharing a champagne bottle with Puffy at Puffy's birthday party in November 4th of 1994 (at Roseland Ballroom).
Finally, 2Pac was
in New York in the Quad Studios, recording a song with Ron G, It's Alive, Stretch and Keith Murray. The session stands very likely a few days or a month after Keith
recorded the first version of "Who Shot Ya" with Biggie for the Mary J Blige album in the same studios... At the end of the session, 2Pac and Stretch went down the building and were robbed by a group of guys... 2Pac resisting was shot... Then he went back in the in the lift. Puffy & B.I.G. were working in a studio, maybe at Junior Mafia next project... They discovered him going out of the elevator, bleeding...
Biggie said he tried to go to the Hospital to see 2Pac but was stopped by 2Pac's people... 2Pac very likely claimed in interviews that he was suspecting Biggie and Puffy for being behind the Quad Studios robbery... After that, in 1995, whilst 2Pac was sentenced to prison for 1.5 to 4.5 years for sexual abuse in February the 7th... Biggie released the 21st of February a "Big Poppa" single with "Who Shot Ya ?" as a B-Side... with a fatal 1st verse ending : "You rewind this, Bad Boy's behind this (Bad Boy's behind this)" (only difference with the original recording from November), that 2Pac instantly took against him...
2Pac
and Biggie will only see each other again the 29th of March at the Soul
Train Awards in the park place where both crews were about to shoot at
each other...
Here there is a list of rumors about yet to leak/release songs from The Notorious B.I.G. : LINK
Vibe article, August 94
DETAILED TRACKLIST :
- Microphone Murderer, mid 1991. Prod. DJ 50 Grand.
- Beat made with "Blind Alley" by The Emotions. These lyrics and flow are what earned Biggie the attention of Mister. Cee (Big Daddy Kane's DJ), who sent the demo to The Source "Unsigned hype" section, what led him to be signed by Puffy Combs. The beginning of the thing. The powerful charismatic BIG style is already there, ready to compete with the greatest, i.e. his elder from Bed-Stuy Brooklyn, Big Daddy Kane, who rapped over the same sample in 1988 for "Ain't No Half Steppin'", one of the biggest Hip-Hop tune of all time...
- Guaranteed Raw, mid 1991. Prod. DJ 50 Grand.
- Same lyrics and drum beat than the famous live at Bedford-Stuyvesant Block Party in 1991 (there are videos of the party - it plays EPMD's "Rampage Remix" from Feb. 91 at a time - a wonderful historical document in itself, and from Biggie's performance). The drum pattern will be re-used by Easy Mo Bee for "Gimme The Loot".
- Love No Hoe, mid 1991. Prod. DJ 50 Grand.
- Beat taken from Massive Attack's "Blue Lines" (eponymous album released in April 1991).
- Another Rough One, c. April - June of 1993. Prod. Mister Cee (?).
- Radio freestyle (?). Biggie re-uses his verses from "Microphone Murderer" ending by a dedication to Mr. Cee who had nothing to do with the original. Leaked in the so called "Biggie Smalls '93 Demo Tapes" (fanmade). Released in Funkmaster Flex's Special Delivery Pt.2 (2001). The freestyle directly follows the freestyle version of "Party & Bullshit" with Biggie singing "party & bullshit, wooo, wooo, Mister Cee". Biggie probably gave this radio live freestyle for the release of Who's The Man ? soundtrack in April '93 or for his single in June. Released by Mister Cee as "Party & Bullshit Freestyle" in Best of Biggie, 10 Years Anniversary Mixtape (2007).
- Mumbling & Whispering, late 1992 (?). Prod. Mister Cee.
- This freestyle has the same lyrics than in "Stretch & Bobbito Show
'91" Freestyle. It would have been recorded at Mister Cee's house. Biggie would have recorded the freestyle at the time he was recording "Dead Wrong", that's why we can hear the beat of the song playing at times during the track. It was firstly released in Best of Biggie, 10 Years Anniversary Mixtape (2007).
- 16 Bars, 1993. Live freestyle at the Lyricist Lounge.
- Released in Lyricist Lounge 2 (2000). There is also a video of the same event where Biggie plays "Party & Bullshit".
- Can I Get Witcha ? (Original), March - July of 1993. Unknown producer.
- Leaked in the so-called "Biggie Smalls Demo Tape". "My name ain't 2Pac, I don't get around". Of course, not a diss, just a nice line about the hit of the time. Remixed in Born Again (1999).
- Dead Wrong (Original), late 1992 (?). Prod. Mister Cee (?).
- In this song Biggie gives very hardcore rhymes, reminding of "Stick-Up" censored verse. Remixed in Born Again (1999).
- For Macs & Dons, 1994 (~). Prod. Fresh Gordon.
- Leaked in the so-called "Biggie Smalls Demo Tape". It is a reference
track recorded for the unknown rapper Sheldon-D,
who apparently never released anything. Biggie says 94 in his lyrics but he could anticipate.
- Whatchu Want Freestyle, 1992-1993 (~). Radio freestyle, unknown source.
- Verses 2 & 3 of the song which is included in Ready To Die Promo Version. There is also a freestyle in the streets in 1992 with Biggie rapping the verse 1. Biggie will also play the song live in July or August 1993 with 2Pac backing with Puffy, only a few days after they met.
- Niggaz (Original), first half of 1993 (~). Unknown producer.
- Biggie uses one verse of the song for Snoop & Chronic concert in 93, and again for the "Freestyle at Royalton Hotel" with 2Pac in July 93 (cf. Mr. Middle Finger). Remixed in Born Again (1999).
- House of Pain (Original), Nov. 1993. Prod. Jesse West.
- Presumably
recorded in late November 1993 around the time 2Pac recorded "Pain"
with same topic and kind of lyrics (cf. Out On Bail, Honor Among Thugz). The leak we have is said ripped from a cassette, so probably from a very early version of Ready To Die ; there is a rumor about a tape Biggie had with him compilation of the unmixed recording sessions he made for his album. A cut low quality leak ("Rip 2") was included in Niggas Ain't Ready, Daddy-O's mixtape (not listed in common tracklist but included after "Shook Ones pt. 2").
- Whatchu Want (Live in the playground, Brooklyn), 24th of May 1992.
- Biggie
gives the first verse of the song, acapella. I think he raps in front
of the Crispus Attucks playground which is now also called "Christopher
"Biggie" Wallace Courts", which is maybe also where the "Party & Bullshit" video was shot.
- Come On (Demo Version), c. Oct. of 1993. Prod. Lord Finesse.
- Biggie gives the same verse in the Live at Madison Square Garden with Big Daddy Kane & 2Pac in October. This
version has a different mixdown and a alternate second verse from
Sadat X than the Promo version (and O.G. Edition of Ready To Die). It was released in Lord Finesse's Rare Selections Vol. 1, labelled as a demo from 1993. Remixed in Born Again (1999).
- Blazing Chronic, 1994. Prod. Easy Mo Bee (?) or Fabian Hamilton (?).
- A snippet was leaked in the so-called "Biggie Smalls Demo Tapes" (from the 2000's), with the "Drugs" beat (sample from
"Bumpy's Lament" by Soul Mann & the Brothers) used in Lil' Kim Hardcore album. There is even a chorus by Snoop Dogg in some leaked/remixed versions of the song... Not impossible that Biggie got that beat first and later gave it to Kim... but it could also be a blend... The freestyle recorded during "Let Me Get Down" sessions (early 94) could have the same early Easy Mo Bee beat than that song... What about the Snoop Dogg chorus "blazing chronic through the galaxy" ? Exactly similar to the one used by Dr. Dre & the Hitmen in "Light Speed" (in 2001), Snoop could possibly have recorded something like that with Biggie in early 94 (the time of the release of "Gin & Juice"), without giving a verse, but it is doubtful...
- Teen Summit Freestyle, 1992-1993 (~). Freestyle for the TV show.
- It is said that Biggie was struggling to rap acapella so Puffy asked the crowd to make one by applauding.
- Party & Bullshit (Demo Version), c. Jan. 1993. Prod. Easy Mo Bee.
- Not very different than the retail : Biggie saying "it don't stop" at the beginning, and no Puff Daddy's voice at the end. There is also a radio "freestyle" version, with a part leaked by Mister Cee in Best of Biggie with Biggie freestyling and singing at the end of the song.
- Flip Dat Shit, Jan. 1993. Prod. Jesse West.
- Leftover track from Who's The Man O.S.T. (included in some Promo versions of the album). Onyx will recycle their verse for their duet with Hardcore group Biohazard int the eponymous song of Judgement Night Soundtrack (1993). Finally released in Cold Cases Vol. 2 (2014) Onyx compilation. Funny to notice that Biggie in his prime was featured with Treach, close friend from 2Pac at that time. 2Pac had just recorded "5 Deadly Venomz" with him in late 1992.
- The Basement Freestyle, late 1993. Prod. DJ Enuff.
- Taken from an unknown DJ Enuff mixtape. Biggie is rapping the same verse than in "Live at Madison Square Garden" (cf. Honor Among Thugz).
- Let Me Get Down (Demo Version), 1994. Prod. Easy Mo Bee.
- Remixed in Born Again (1999). Initially recorded for Biggie's Ready To Die in 1994, eventually later given to Craig Mack for his first album (included in the promo of the album with alternate verse by Craig Mack). Unofficially released in Underground Airplay Vol. III. During this studio sessions, it is said Biggie also recorded "Blazing Chronic" and another unleaked eventually titled "Feel The Funk"...
- Biggie Got The Hype Shit, 1992. Prod. Jesse West & Mister Cee.
- Possibly recorded the 5th of March '92, right about having been designed "unsigned hype" by The Source Magazine.
- Stick-Up (Extended Version), 1992-1993. Prod. Jesse West.
- Recording session is said from December of '92. This second version has a different and unique verse by Biggie, unfortunately cut in the middle... Jesse, Troo Kula and Biggie probably initially recorded a demo for Jesse or for Biggie project. Then they invited some friends for a long posse cut version. Released in 1995 in an unofficial Niggas Ain't Ready Daddy-O's mixtape.
- Stretch & Bobbito Show '91, c. late 1991.
- Radio freestyle with same first verse than "Mumbling & Whispering" over Cypress Hill beat "Hand on the Pump" (Aug. of 91).
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| Biggie & 50 Grand, c. 1991 (?) |
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